Shakira tops Billboard’s monthly Top Tours chart for the first time, earning $32.9 million from 282,000 tickets sold in February, according to figures reported to Billboard Boxscore.
The Top Tours ranking in recent times has been repeatedly led by acts who have crowned the list previously. P!nk returned for her fourth victory in October, followed by Coldplay’s fifth in November. Trans-Siberian Orchestra popped up for a fifth time in December, and then Coldplay returned to the summit in January.
Shakira follows Bad Bunny, Los Bukis, and RBD among Latin artists who have topped the monthly ranking, making her the first solo Latin woman to hit No. 1.
Not only is this Shakira’s first month at No. 1, but it’s also her very first appearance on the 30-position chart. The tally’s first edition covered the biggest tours of February 2019, which was three months after the wrap of her previous outing, 2018’s El Dorado World Tour.
Shakira kicked off Las Mujeres Ya No Lloran World Tour on Feb. 11 at Rio de Janeiro’s Estadio Nilton Santos with a $2.9 million gross with 35,200 fans. Her pace accelerated throughout the month, to $6.4 million in Sao Paulo on the 13th, to $11.3 million in Atlantico, Colombia, on the 20th and 21st, and finally to $12.3 million during a double header at Bogota’s El Nemesio Camacho (Feb. 26-27). The two Colombia stops finish at Nos. 3 (Bogota) and 6 (Atlantico) on Top Boxscores.
For almost 30 years, Shakira has been a reliable sellout act in arenas, while flirting with stadiums. Her 2025 outing thrusts her into major-market stadiums, almost exclusively, for the first time. So while her Latin American dates across the 21st century have averaged $1 million to $1.5 million per show, her February shows paced $5.5 million and 47,000 tickets each night.
Las Mujeres Ya No Lloran World Tour continues in Mexico, Chile and back to Columbia through April, before taking Shakira to the U.S. and Canada through the end of June. Including two rescheduled dates in Lima, Peru, in November, the tour will likely soar passed $200 million in total grosses, potentially tripling her career earnings by the end of 2025.
Tyler, the Creator follows on Top Tours at No. 2 with the first shows from Chromakopia: The World Tour. It’s his highest ranking ever, having previously hit No. 10 in March 2022, plus two other top 20 appearances in autumn 2019. He’s only the third rapper to rank as high since the chart’s launch, following Post Malone (No. 1 in October 2019 and February 2020) and Travis Scott (No. 2 in October 2024).
Across 14 shows in February, he grossed $29 million and sold 188,000 tickets. The Chromakopia outing isn’t Tyler’s first rodeo in arenas, though it does continue an alarming rise among the ranks of headliners. Averaging $2.1 million per night, the tour doubles 2022’s Call Me If You Get Lost Tour ($993,000). That tour did the same to 2019’s Igor Tour ($414,000), which itself had two-timed the pace of 2017-18’s Flower Boy Tour ($177,000). For kickers, that run quadrupled 2016’s Okaga, CA Tour ($41,700).
That’s a consistent rise that has grown Tyler’s per-show earnings potential almost 50 times over, over the course of less than a decade. His March schedule is busier than February’s (17 shows vs. 14), before the tour travels to Europe, back to North America and then to Australia and Asia before the end of September.
February’s 10 highest grossing acts are evenly spread across country, Latin, pop, rap and rock. Even among pop and rock, each with multiple acts in the upper tier, there is diversity: that of language and geography between ATEEZ (No. 7) and Ed Sheeran (No. 8), and a generational gap to separate the Eagles (No. 5) from Linkin Park (No. 9).
Mexico City and Australia split the prize atop the monthly venue rankings. The former’s Autodromo Hermanos Rodriguez crowns Top Stadiums, powered entirely by Electric Daisy Carnival’s $20.9 million over Feb. 21-23. Auditorio Nacional rules Top Venues (5,001-10k capacity) with a broader stroke of 22 shows during the 28-day window.
Sydney’s Qudos Bank Arena is No. 1 among venues with a capacity of 15,001 or more, thanks in large part to multi-night runs by Drake and Billie Eilish. And Brisbane Entertainment Center wins the 10,001-15k category with $17.2 million from 13 shows.
Thanks to substantial tours from Tyler, the Creator, Kylie Minogue, Kelsea Ballerini and more, AEG Presents presides over Top Promoters. The global touring giant earned $201.8 million and sold just under two million tickets from a reported 687 shows in February.
